https:\/\/www.youtube.com\/watch?v=ZPblZa10_Pk<\/a> (this won’t embed I’m sorry)<\/p>\n\n\n\nDecember 15, 2016<\/em><\/p>\n\n\n\nWelcome to Day Fifteen of Terry\u2019s 25 Days of the Best Christmas Songs Ever, where I\u2019ll attempt to define the breadth and depth of the Christmas Spirit through music.<\/p>\n\n\n\n
This was a tough one. After this one, we’ll move onto the next stage of this journey, in which I will begin to venture into tricky territory by turns lionizing and demonizing the members of the classic Christmas canon. To make this transition, it might be worthwhile to define, or defy, the range of that canon.<\/p>\n\n\n\n
Soundtracks of larger Christmas specials have not been off the table, nor should they be. Rudolph the Red-Nosed Reindeer, Frosty the Snowman, and the Grinch are a part of the pantheon, and I wouldn’t seek to divorce them, in any of their forms, from the season. I have an expansionist view of the season \u2013 never purge, always add. More Christmas for the Christmas Spirit!<\/p>\n\n\n\n
It only recently dawned on me to add Danny Elfman to this cast of characters, or more specifically, the Danny Elfman responsible for the soul of The Nightmare Before Christmas. Though not his first foray into creating an audio atmosphere for Christmas \u2013 he already cut his teeth on Edward Scissorhands and Batman Returns, after all \u2013 Nightmare actually gave him a chance to write a MUSICAL about Christmas. His music really does a good job of exploring the answers to the question: What if an unfocused, tortured artist discovered, all at once, an inspiration unlike anything they could have imagined?<\/p>\n\n\n\n
The entire story goes further down this rabbit hole \u2013 how does the artist realize their vision? how do they know when to compromise? what does it mean to share a vision with the world? \u2013 and it’s all super good, but there’s nothing quite like that first moment when Danny captures Jack Skellington discovering Christmas for the first time in What’s This?<\/p>\n\n\n\n
This song is certainly rooted in the context of its story, taking for granted that there are, indeed, different “towns” that are created around different holidays, but I think it can be briefly wrested from that frame to be enjoyed on its own. It keeps the jingling bells and sleigh-ride like pace of the traditional canon, but Danny’s touch adds an unhinged manicness that’s by turns joyous and unsettling, really capturing the feeling of not quite knowing what to do with yourself.<\/p>\n\n\n\n
And this is an INCREDIBLY effective subversion of the Christmas List song. Yes, it is a series of observations, but unlike other songs of the season, they’re not merely affirmations, but DISCOVERIES. The story, and the visuals, certainly indicate this moment is meant to parody the saccharine and now banal imagery of other seasonal tales like The Night Before Christmas or any commercial depiction of the North Pole, but even that doesn’t dull Jack’s constant vacillations between deep mirth and performative joy. Even when he doesn’t understand them, he knows each tradition means something deeper, something that invites participation, something that excites the part of someone that wants to be part of something bigger. Christmas is for everyone!!<\/p>\n\n\n\n
Every song from this soundtrack is phenomenal, but this is the right one for this list.<\/p>\n\n\n\n
Sidebar: The Worst Christmas Songs<\/em><\/h2>\n\n\n\nThe Worst #1. Jingle Bell Rock<\/h2>\n\n\n\n